Readings
Thursday, January 18
Reddy, M. The Conduit Metaphor: A Case of Frame Conflict in Our Language about Language. in Ortony, A. ed. Metaphor and Thought, Cambridge University Press, New York, 1979; pp. 164-201.
Iser, W. The Implied Reader: Patterns of Communication in Prose Fiction from Bunyan to Beckett. The Johns Hopkins University Press, Baltimore, Maryland, 1974; pp. 274-294.
Thursday, January 25
Course Notes
Barthes, R. Image Music Text. Hill and Wang, New York, 1977; pp. 142-148 & pp. 155-164.
de Saussure, F., Bally, C., Sechehaye, A. and Riedlinger, A. Course in General Linguistics. Open Court, LaSalle, Ill., 1986; pp. 6-17, pp. 65-19, & pp. 101-134.
Thursday, February 1
Bordwell, D. and Thompson, K. Film Art: An Introduction. 8th edition; pp. 47-105.
Bordwell, D. and Thompson, K. Film Art: An Introduction. 8th edition; pp. 175-184 & 207-293.
Thursday, February 8
Bordwell, D. and Thompson, K. Film Art: An Introduction. 8th edition; pp. 207-293.
Thursday, February 15
Bordwell, D. and Thompson, K. Film Art: An Introduction. 8th edition; pp. 218 - 263.
Thursday, February 22
Bordwell, D. and Thompson, K. Film Art: An Introduction. 8th edition; pp. 218 - 263 (Continued).
Kuleshov, L. Kuleshov on Film: Writings by Lev Kuleshov. University of California Press, Berkeley, 1974; pp. 41-55.
Isenhour, J.P. The Effects of Context and Order in Film Editing. AV Communications Review, 23 (1); pp. 69-80.
Burch, N. Theory of film practice. Princeton University Press, Princeton, N.J., 1981; pp. 3-16.
Barthes, R. Action Sequences. In Strelka, J. ed., Patterns of Literary Style. State University of Pennsylvania Press, University Park, Pennsylvania, 1971; pp. 5-14.
Thursday, March 1
Smith, M. Multimodal Video Characterization and Summarization, 2004, Chapter 2 (Handouts in Class)
Thursday, March 8
Davis, M. Media Streams: An Iconic Visual Language for Video Representation. in Baecker, R.M., Grudin, J., Buxton, W.A.S. and Greenberg, S. eds. Readings in Human-Computer Interaction: Toward the Year 2000, Morgan Kaufmann Publishers, Inc., San Francisco, 1995; pp. 854-866.
Dorai, C. and Venkatesh, S. Computational Media Aesthetics: Finding Meaning Beautiful. IEEE Multimedia, 8 (4); pp. 10-12.
A. W. M. Smeulders, M. Worring, S. Santini, A. Gupta, and R. Jain. Content-Based Image Retrieval at the End of the Early Years, IEEE Transactions on Pattern Analysis and Machine Intelligence, vol. 22, 2000; pp. 1349-1380.
Smith, M. Multimodal Video Characterization and Summarization, 2004, Chapter 3, pp 72 - 82, (Handouts in Class)
Thursday, March 15
Metz, C. Film language: a semiotics of the cinema. University of Chicago Press, Chicago, 1991; pp. 92-107 & pp. 108-146.
Eisenstein, S.M. Film Form: Essays in Film Theory. Harcourt Brace Jovanovich, Publishers, San Diego, 1949; pp. 45-63.
Recommended: Davis, M. and Levitt, D. Time-Based Media Processing System (US Patent 6,243,087), Interval Research Corporation, USA, 2001; pp. 1-20.
Continued from Feb. 22
Bordwell, D. and Thompson, K. Film Art: An Introduction. 8th edition; pp. 218 - 263 (Continued).
Kuleshov, L. Kuleshov on Film: Writings by Lev Kuleshov. University of California Press, Berkeley, 1974; pp. 41-55.
Isenhour, J.P. The Effects of Context and Order in Film Editing. AV Communications Review, 23 (1); pp. 69-80.
Burch, N. Theory of film practice. Princeton University Press, Princeton, N.J., 1981; pp. 3-16.
Barthes, R. Action Sequences. In Strelka, J. ed., Patterns of Literary Style. State University of Pennsylvania Press, University Park, Pennsylvania, 1971; pp. 5-14.
Thursday, March 22
Bordwell, D. and Thompson, K. Film Art: An Introduction. McGraw Hill, New York, 2006; pp. 3-54.
Ascher, S. and Pincus, E. The Filmmaker's Handbook: A Comprehensive Guide for the Digital Age. Plume, New York, 1999; pp. 166-175 and 259-273. (Hard copies to be handed out in class.)
Optional
Hillis, W.D. The pattern on the stone : the simple ideas that make computers work. Perseus Books, New York, 1999; pp. vii-90.
Thursday, April 5
Foote, J. "An Overview of Audio Information Retrieval," Multimedia Systems, vol. 7, 1999; pp. 1-18.
See also: Jonathan has his latest and/or greatest papers posted on his site at FX/PAL; they are well worth checking out (he does a lot of different cool stuff).
M. Christel, S. Stevens, T. Kanade, M. Mauldin, R. Reddy, and H. Wactlar, "Techniques For The Creation And Exploration Of Digital Video Libraries," in Multimedia Tools and Applications, vol. 2, B. Furht, Ed. Boston: Kluwer Academic Publishers, 1996; pp. 1-33.
H. D. Wactlar, M. G. Christel, Y. Gong, and A. Hauptmann, "Lessons Learned from the Creation and Deployment of a Terabyte Digital Video Library," IEEE Computer, vol. 32, 1999; pp. 66-73.
Tonomura, Y., Akutsu, A., Otsuji, K. and Sadakata, T., VideoMAP and VideoSpaceIcon: Tools for Anatomizing Content. in, (Amsterdam, The Netherlands, 1993), ACM Press; pp. 131-136.
Kuchinsky, A., Pering, C., Creech, M.L., Freeze, D., Serra, B. and Gwizdka, J., FotoFile: A Consumer Multimedia Organization and Retrieval System. in, (Pittsburgh, Pennsylvania, 1999), ACM Press; pp. 496-503.
Video Assignment 2 Due
Thursday, April 19
N. Dimitrova, H.-J. Zhang, B. Shahraray, I. Sezan, T. Huang, and A. Zakhor, "Applications of Video Content Analysis and Retrieval," IEEE MultiMedia, vol. 9, 2002; pp. 42-55.
Prelinger, R. ARCHIVAL SURVIVAL: The Fundamentals of Using Film Archives and Stock Footage Libraries. The Independent Film & Video Monthly (October); pp. 1-4.
Jenkins, H. Textual Poachers: Television Fans & Participatory Culture. Routledge, New York, 1992; pp. 223-249.
J. M. Martinez, R. Koenen, and F. Pereira "MPEG-7: The Generic Multimedia Content Description Interface, Part 1," IEEE MultiMedia, vol. 9, 2002; pp. 78-87.
J. M. Martinez, "MPEG-7: Overview of MPEG-7 Description Tools, Part 2," IEEE MultiMedia, vol. 9, 2002; pp. 83-93.
Tim Berners-Lee, James Hendler and Ora Lassila, "The Semantic Web," Scientific American, May 17, 2001.
Burnett, I.; Van de Walle, R.; Hill, K.; Bormans, J.; Pereira, F.; "MPEG-21: Goals and Achievements," IEEE Multimedia, Volume: 10 , Issue: 4, Oct-Dec 2003; pp. 60-70.
Anind K. Dey, Understanding and Using Context, Personal and Ubiquitous Computing, v.5 n.1, p.4-7, February 2001.
Adrian Graham , Hector Garcia-Molina , Andreas Paepcke , Terry Winograd, Time as essence for photo browsing through personal digital libraries, Proceedings of the second ACM/IEEE-CS joint conference on Digital libraries, July 14-18, 2002, Portland, Oregon, USA.
Mor Naaman, Yee Jiun Song, Andreas Paepcke, Hector Garcia-Molina. Automatic Organization for Digital Photographs with Geographic Coordinates. In proceedings, Fourth ACM/IEEE-CS Joint Conference on Digital Libraries, (JCDL 04), June 2004.
Marc Davis, Simon King, Nathan Good, and Risto Sarvas. "From Context to Content: Leveraging Context to Infer Media Metadata." In: Proceedings of 12th Annual ACM International Conference on Multimedia (MM 2004) Brave New Topics Session on "From Context to Content: Leveraging Contextual Metadata to Infer Multimedia Content" in New York, New York, ACM Press, 188-195, 2004.
Davis, M. Editing Out Editing: New Paradigms for Computational Media Production. IEEE MultiMedia, Spring 2003.
Stern, L. A Brief History of Mad Libs, Penguin Putnam Inc., 2001.
Varian, H.R. The Law of Recombinant Growth. The Industry Standard, February 28, 2000.
Barry B., & Davenport G. (2003). Documenting Life: Videography and Common Sense. In Proceedings of IEEE International Conference on Multimedia. New York: Institute of Electrical and Electronics Engineers. Baltimore, Maryland, 2003.Nack, F. From Ontology-based Semiosis to Computational Intelligence - The Future of Media Computing. In Media Computing Computational Media Aesthetics, Chitra Dorai and Svetha Venkatesh, Editors, pp. 159 - 196. Kluwer Academic Publishers, June 2002.